The Necropolitan Sentinel

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Music Review – ‘Harmonicraft’ by Torche

(Artwork courtesy of Santos)

The Florida doom quartet Torche have never been ones to shy away from melody.  From the git-go, band leader Steve Brooks has been a mainstream pop sort of metalhead, blending decidedly non-screamo singing with bottom-heavy riffage.  At first glance the band’s musical DNA would seem unlikely.  Sabbathy single-note chord progressions shouldn’t play well in the sandbox with major-key vocals and upbeat tempos, yet in Torche’s case they wring a lot of miles out of a beautifully incongruous jalopy.

2008′s Meanderthal was widely hailed as a masterpiece, but soon afterwards, original lead guitarist and long-time Brooks right-hand man Juan Montoya was acrimoniously dismissed from the band.  Torche carried on and put out several EP’s and split sets as a three-piece–Songs For Singles being especially good–but questions remained.  The biggest one:  How would the band respond on their next full-length effort?

Harmonicraft answers listeners with a definitive ‘Huh?”  The record feels like a band cautiously edging away from their earlier influences, but not quite sure where they’re headed to next.  Oh sure, there are more than a few drop-A bombstring masterpieces to be had here.  ”Looking On”  is a menacing chunk of sludge that ends the disc on a doomy note.  The 79  seconds of “Sky Trials” features frenetic grooves wrapped up in harmonized Brooks vocals.   “Reverse Inverted” swaggers with new lead guitarist Andrew Elstner’s tripped-out solos and a towering finish.

Even with all that thumpy crunch, Torche finds the time to  take some tentative detours.  The restrained guitars and back-and-forth chorus of “Roaming” is a rock radio hit single waiting to happen.  “Kiss Me Dudely” wraps a Lita Ford reference and an in-joke about Steve Brooks’ homosexuality in feedback squalls and aggressive tempos.  “Solitary Traveler” is reminiscent of earlier Torche songs like “Sundown” and “Face The Wall”.  Where the older tunes would go from dreamy atmospherics to a taciturn climax,  “Solitary” instead drifts into melancholy shoegaze terrain.  The most out-of-character moment is “Harmonicraft”, with gently distorted echoey guitar lines and synth-drum percussion.  It’s like no other song in Torche’s repertoire and it could be the portent of a different direction for group to explore.

But as cool as these experiments are, they’re still fairly small steps away from their sound.  The big problem Torche has is that when they nail their formula, it really doesn’t have a parallel in the current rock scene.  Lead single ”Kicking” ranks with past gems like “Vampyro”, “Across The Shields” and “In Return”.  As Brooks and Elstner croon out the bridge, the band takes off into an unambiguous soaring metal anthem.  In lesser hands, fusing unironic majesty with pummeling guitar riffs would probably come off as a cynical Hum copy-cat.  Torche somehow makes their improbable emotive rock work without winking at the audience.

At its core, Harmonicraft presents a bit of a puzzle.  Because there is so much good going on in Torche’s sound, they could easily make four more albums that drill further down into their happy-doom formula.  On the other hand, the quartet might be poised to take the music away from their past work.  In that way, Torche’s latest disc might be roughly analogous to Slayer’s South of Heaven…or Radiohead’s The Bends.  Either way, Harmonicraft has to make the short list for rock record of the year.

Posted under: Macro Narratives

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About King Shamus

I blog at Blog De KingShamus http://kingshamus.wordpress.com/ and Juliette Akinyi's Baldilocks http://baldilocks.typepad.com/ as well as The Conservatory.

6 comments

    • If Gender is synonymous with the role one plays in soicety, then why not say a role in soicety, or a sexual role in soicety? You could say that’s a bit verbose, I suppose, but no one ever accused these people of being terse.Because scientists like to invent words? I honestly don’t know. Although, from my experience, sex as it refers to whether you have manly bits or womanly bits is not the same as having a sexual role. Remember that in science, your sex (male, female) is not necessarily about what you do with those manly or womanly bits. It’s just about whether you dangle or don’t. The truth is, sex and gender are usually directly linked. But not always.Also, it’s important to note that the role of women in, for instance, American soicety has changed fairly drastically over the last two hundred or so years. Yet, women are still female they still have two X chromosomes, they still lack the dangly bits, etc. Yet, their roles have changed. If they are, indeed, still female (XX, not XY), then the only thing that’s changed is their role how we define their gender.%name said:In any case, that’s a little besides the point. There are obviously historical, environmental, and biological factors that determine the patterns of existing societies.Very much so. And it’s important to note that even if what a soicety does makes no sense at first glance, cultures always have a reason for what they do. Human beings are fairly logical creatures, oddly enough.%name said:The question is, at what point does one determine Heer be Genderes as opposed to biology? Furthermore, given the huge gaps in our knowledge about biological differences between men and women, gaps exacerbated by hostile attitudes in the social sciences, how can anyone say with any degree of confidence the major factors that play into in cultural expressions at all?I both want to say we can’t, and yet, we can. To explain what I mean, the thing is, culture is a difficult creature to classify. It encompasses so much of what we are. It is what we wear, what we eat, what we believe, what we do, how we think, etc, etc. How much of this is based purely on biology is unclear.To be clear, I speak from an Anthropological perspective, as it is what I have my degree in. My discipline focuses on the micro versus the macro. So, for instance, for every fundamental, This is always this way that, say, a Sociologist might throw out there, an Anthropologist would respond with, Well, not always, and here is this one tribe in Equatorial New Guinea that is the exception to your rule. With that in mind, if we are to make the presumption that all human beings have fairly much the same genetic code with a few small differences (i.e. we’re all the same species, same base model, as it were), I offer this for your consumption:It is safe to say that in Western Society, men are regarded as the aggressive side of the equation, while women are the passive, nuturing side. Men are expected to be strong, the bread-winner, outgoing, the one who goes off to war (see the fact that the U.S. draft only registers men). Women are expected to raise children, be understanding, be more empathetic. Recent studies have gone on about how women tend to try to build bridges, bring understanding to the table, while men tend to be more aggressive towards getting their way. That female children tend to want to build things while male children tend to want to run around and bust up what the female children have built.Alright. With that in mind, consider the following:In Papua New Guinea, there exists a tribe called the Tchambuli. Among this tribe, what we think of as traditional gender roles are entirely reversed. Women are the aggressive, pushy, outgoing, warlike, bread-winners. Men are the passive, nuturing, caring, and empathetic stay-at-home-dads.If biology solely determines gender, why is it that two living cultures existing on the same planet with base members of the same species have such radically different gender roles?

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